Lobster is New England Street Food

Posted 05 Apr 2010 — by S.E.
Category Travel

Motif #1

Last weekend I made my way down the narrow streets of Bear Skin Neck in Rockport Massachusetts to my favorite north shore lobster shack. Actually, I have three lobster shacks that I favor on the North Shore; Roy Moore Lobster Company just happened to be the one I was closet to. After record breaking rain the prior week, we were blessed on Sunday Morning with record breaking heat and sun. (Still don’t believe in global warming?) The sun and heat triggered a primeval craving for a walk down Bear Skin Neck that usually, like the lilacs around my house, activates later in the spring. As soon as I think of eating in Rockport, I can’t suppress the anticipation of taking a walk through town after eating for a tour of the wonderful art galleries and shops. Once my summer craving for steamed clams and lobsters starts, it has to be sated. Off to Bearskin Neck we went.

Roy Moore's in Rockport, MA

Legend has it that back in 1700 there was a bear in the village that wandered down to the waters edge and was caught by the rising tide and killed. An alternative tale is that the neck was named after the bear skin that colonial resident John Babson left drying on the neck. For the next three hundred years, the legend as well as the name held fast as did the town itself. After making a cameo appearance in the war of 1812, the port took off in the late 1800’s and early 1900’s due to the high quality of granite that was quarried locally and shipped from the quay all around the world. Granite neck would have been a more fitting name.

Roy Moore’s is a real seafood shanty, it isn’t a fabricated place created in the 1990’s to resemble one. It was founded on the south side of Bear Skin Neck in 1918 while the granite industry was still flourishing. I have been eating lobsters and clams there since the late 1960’s. The building consists of a tiny single story fish shack with faded cedar shingle siding and a giant red wooden lobster sign out front. Inside there are several chilled display cases filled with fish and loaded lobster tanks circulating fresh salt water. Toward the back of the space there’s a small kitchen, a closet really, equipped for steaming lobsters and clams, a double bain-marie for holding hot chowder, and a couple of microwave ovens. There is no bathroom and, except for the half-dozen picnic tables on the back deck, there’s no seating either. It’s not luxury food, the Wampanoag Indians used to use whole lobsters as fertilizer. This is rustic New England street food. Lobster served the way it is supposed to be, simply cooked right out of the tank, cracked, with drawn butter and a napkin on the side. The same way they have cooked lobsters on Bearskin neck for hundreds of years.

An Old Shanty it is

Bearskin neck has been an active fishing port since the late 17th century but today it has tilted toward the tourist trade like most other New England ports. The shops along the neck are true old-school shanties transformed into art galleries, retail shops, restaurants and inns. Although the architecture along the avenue is seaside New England in style, there is no lack of low-end t-shirt and souvenir shops stuffed into these historic spaces. The art galleries are another story and include the work of artists known locally as well as others with global reputations like the late Martin Ahern and John Terelak.

Fitz Hugh Lane, Winslow Homer, Edward Hopper, Paul Manship, Katherine Lane Weems and Walker Hancock all passed through this town during their careers and Manship and Hancock both lived within five miles of town center for most of their lives. Manship is best known for his sculpture of Prometheus that overlooks the ice rink in Rockefeller Center. Hancock is noted for creating one of the most lifelike busts of Robert Frost, now at the Robert Frost library at

The Menu

Amherst, during a series of sittings at his studio in Lanesville in 1950. For more on the history of art in Rockport and on Cape Ann, visit the Rockport Art Association on Main St. It’s worth the trip.

Art galleries and Bearskin Neck go together like steamed lobster and drawn butter. Now that the weather is warming up, take some time and head north to Rockport for some “lobsta and steemas.” Sit out on the back deck and let the ocean air blow over you. Just be sure to get to Roy Moore’s before 5:45PM, that’s when the last lobster drops into the pot before closing.

Avec ~ Chicago

Posted 19 Mar 2010 — by S.E.
Category Fine Dining

Avec, Chicago

It’s 10:45PM and I am sitting in a hotel room in Chicago when my mobile phone rings. A couple of friends who I visited with in recent weeks are on the line joking with me while thinking that I am in bed at home.  They, in fact, are stuck in Chicago after attempting to make an early evening transfer at O’Hare which was cancelled (a real rarity in the winter…) I ask what they are doing and find out that they are on their way to Avec at 615 West Randolph St. “Wow, you guys are lucky, I would love to join you at Avec”, I exclaim. After a bit of laughing, I tell them I am actually on my way (my hotel is 5 minutes from Avec.) They are stunned. After a bit of additional laughter and disbelief, I tell them that I have been in Chicago for the past couple of days eating my way around town and was just about to go to bed when they called. Avec has been on my list of places to eat since eating at Blackbird (fantastic) which is right next door. So…I throw caution to the wind, get dressed and jump in a cab. Five bucks later and I am standing in Avec waiting.

Avec is long and narrow. It’s all hard wood. Hardwood floors, tables, seating, bar, walls and ceiling. It has a large glass storefront and a hidden entry door to the left of the restaurant that is known to confuse guests as they arrive. The place is hip as are the people who work there and it has a cool, urban feel. We are seated right away by a smiling hostess and immediately approached by our server. Rather than delay service we ask that she make some choices for us and get us started.

Dates

Our first course is a small cast iron plate of Chorizo Stuffed Medjool dates with smoked bacon and piquillo pepper-tomato sauce. These stuffed dates are a house specialty and, after the first bite, I know why. The sweet tender dates marry wonderfully with the salty chorizo forcemeat that surrounds them. This is a dish that you begin to taste before it enters your mouth due to the wonderful savory aroma that wafts around as they sizzle.

Next we enjoy a large plate of La Quercia prosciutto with honeycomb, orange zest, sliced pear, Spanish Marcona almonds and black peppercorn vinaigrette. This is the first time I have had La Quercia prosciutto even though the product has been on the market for more than five years. Made in Iowa by Herb and Cathy Eckhouse, La Quercia (Oak in Italian) is known for its artisan dry cured salumi and environmentally green sensibility. That Avec has sourced a reasonably local (La Quercia is 400

Prosciutto

miles from Avec) supply of Prosciutto tells me much about Chef Koren Grieveson and her culinary sensibility. Each dish on her menu is well thought out, sourced locally if the quality is there, and perfectly prepared and seasoned. Back to the prosciutto…At first I wondered if the black peppercorn vinaigrette would be too strong but, interestingly, it’s nice and light. It appears that the peppercorns have been soaked and lightly pickled. They are tender and add a nice contrast to the salty prosciutto and sweet pear. The dish is perfectly seasoned and delicious.

 Our final dish is a wood oven braised pork shoulder served with chestnut-bacon dumplings, butternut squash, kale, and fresh herbs. The pork comes in a cast iron Staub mini oval cocotte with a huge puff pastry vol au vent on top.  It’s beautiful. I break through the pastry and find large steaming chunks of fork-tender pork coated in a wonderful savory braising liquid. Each of the vegetables is cooked through and perfect, not overly soft. The dish is rustic French with a modern flair due

Braised Pork Vol Au Vent

to the moist and satisfying chestnut-bacon dumplings. Another great dish, we are three for three.

Avec is a study in exceptional cooking and service in an environment that is sleek and hip. Every dish we enjoyed was well executed, showed proper fundamental cooking technique, came to the table hot and well seasoned. Koren Grieveson is a talented chef at the top of her game. She has worked with great chefs over the years including Michael Mina and Keith Luce (of Spruce) and at Blackbird where she paid her dues as sous chef. I love her food and philosophy and Avec will remain on my “must visit” list when I return to Chicago.

Seawater Flooding Vegas?

Posted 25 Feb 2010 — by S.E.
Category Fine Dining

What’s with all the seawater flooding Vegas? Earlier today I scanned Bloomberg.com as I usually do to see which way the wind was blowing in the financial world and noticed Ryan Sutton’s article about Vegas casual dining. I am a fan of Sutton’s and seek out his work on Bloomberg regularly. In the article Sutton describes a Turbot poached in Hawaiian Ocean water at Michael Mina’s American Fish located within the new Aria Resort and Casino in the CityCenter complex (which itself may be underwater). Michael Mina is one of the most talented chefs in the country so it took me a moment to get over my initial tinge of envy that Sutton had a chance to eat at his new place. As my envy subsided it was replaced by a sense of wonder why Mina would import ocean water from Hawaii for a dish in bone dry Las Vegas.  Mina is not alone; this is the second restaurant that I know of in Vegas using seawater in a dish.

During a trip to Las Vegas back in December, 2009, Charlie Trotter and I bumped into each other at an event at the Venetian. After a brief chat he promptly sent for the maître d’ of Restaurant Charlie at the Palazzo Hotel so she could escort me back to the restaurant to enjoy his five course Kaiseki menu.  The menu included a tuna dish topped with seawater foam. It was one of the best dining experiences I have had.

Trotter’s seawater foam was a garnish on the second course in a multi-course menu (see image to the right). The dish included, in addition to the Spanish blue-fin tuna and foam, umeboshi which is a tree fruit (ume) similar to apricot that

Spanish Blue Fin Tuna with Seawater Foam

has been pickled. The dish was outstanding with a perfect balance of fatty tuna, sweet and sour ume and salty foam but I couldn’t help but wonder, with trepidation, where the seawater came from (Coast of Cartagena vs. the East River). Hiro, the polite, soft spoken and ultra-professional Kaiseki chef at Bar Charlie provided me the detail.

The “seawater” much to my relief, was not real seawater at all but a liquid consisting of a dashi base that had been filtered, seasoned and foamed.  In contrast, Sutton’s article claims that American Fish is actually using ocean water bottled up and shipped from Hawaii. I guess in an age when we drink bottled water shipped from every corner of the earth, a little Hawaiian ocean water is no big deal, but the notion of ocean water in Vegas remains foreign to me. Is the flavor of Hawaiian ocean water sufficiently sublime to warrant a trip to the mainland? Is the flavor of ocean water on the north side of Oahu different than the south side? Are we headed toward vertical ocean water tastings from pristine global sources? Worse yet is the challenge of knowing, like many things in Vegas, whether the ocean water you are served is real or fake.